The French influence has been important as I grew up listening to French music, watching French films and looking style-wise to the French bombshells of old. They have a birthplace but then their influence travels the globe. I think that makes me probably quite unpredictable and means that I’ve clung tightly to things that are universal like films and books. Like I won’t know about all the TV shows people used to watch or past politicians. I don’t have a ‘home’ in the traditional sense and the knowledge of each place I’ve lived in has gaping holes. There’s a certain freedom that comes with being so displaced. From her Lynchian Wild at Heart video, Chløë now brings us an exclusive rendition of Novacane, premiering exclusively on Schön! We sit down with the retro artist to discover what’s on the books.īeing half-French and half-Australian, how did your cultural mix and international upbringing influence your work? A worldly upbringing that split her time between France, Australia and LA, Miss Black is the original child of the twenty-first century, blending sources of decades gone by in a collusion of filmic, musical and socio-cultural references. She’s the sultry songstress dropping jaws left, right and centre, she’s a digital pin-up, a pop star in the traditional sense and an icon in the making: meet Chløë Black.
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